Episode 130: Fertility and Film– Jessica McGaugh and Roma Sur
Jessica McGaugh is an award-winning independent film director, cinematographer and editor working out of Denver, Colorado. Her work has been screened internationally including the Mumbai International Film Festival, Denver Film Festival, NDTV and Rocky Mountain PBS. Her feature films Red Pearl and Three Worlds, One Stage are distributed internationally on VOD and SVOD platforms. Jessica received an MFA in Film from Syracuse University and is currently teaching in the Film & Television Department at the University of Colorado Denver.
Roma Sur is a screenwriter and a documentary filmmaker, based in Denver, Colorado. After having lost her father at the age of four, she and her sister were raised by their mother in one of the most unsafe cities of India. Not surprisingly, her characters are usually fierce, independent women, or young adult, who know how to give adversity a tight backhand. She writes young adult and female driven dramas with levity, that are a cross-pollination of her immigrant experience of living in the US for twenty years, and her childhood in India. Her recent feature screenplay, “The Rock Within”, has got acknowledged by the Sundance Asian American lab, Stowe Story Labs, India’s leading pitch market, Film Bazaar, and Screencraft’s Funding contest. Sur has also served as an Executive Producer on two award-winning web series. She has been teaching fiction and non-fiction writing at the University of Colorado since 2009.
The Rock Within is crafted by an Asian-American female Screenwriter, who battled infertility for over four years and a Director who had three miscarriages. The story is told through the voice of the female lead, Trisha Sen. It is anchored in the cross-cultural friendship that she creates with the second lead, Jennie Gaw. This forms the emotional core of the movie, which is a fresh take on the subject of infertility. The narrative is punctuated with humor and adventure without making light of the subject. The diverse nature of this project opens it up to a much broader international audience. The story ends on an uplifting note, proving a strong cathartic arc.
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